Jozzie Stuchell Velesig

Growing up in Appalachia, I was surrounded by natural storytellers. The air around me permeated with their tales while I read every book I could find. Stories became essential to my identity. I was lucky to have parents who encouraged reading. Our home was too rural to use the closest public library, so my mother would take me every year to a charity book sale where you could fill up a Walmart bag for a dollar. We would leave with the bed of her red Silverado loaded down with books. I would then lay them all on the living room floor, showing my dad every book I had picked. Undiagnosed dyslexia left my dad barely able to read into adulthood. He would beam at me and my piles of books, proud to foster a love of story for his daughter. Moments like these formed me.

“Soft Burial” by Fang Fang

Soft Burial by Fang Fang was originally met with critical acclaim upon its publication in China in 2016 and even received the Lu Yao Literature Award, but by May 2017, the work had been denounced and removed from stores.

The novel opens with a nameless protagonist suffering from amnesia since 1952 after being pulled, barely alive, from a river.…

“Black Woods Blue Sky” by Eowyn Ivey

Black Woods Blue Sky by Eowyn Ivey is a beautifully written exploration of the power of love, the pull of nature, and what we risk when we refuse to recognize the truth before us. For readers wanting to learn more about writing, Ivey demonstrates how slowly revealing a secret adds tension and keeps the reader turning pages.

“Elephant Herd” by Zhang Guixing

Elephant Herd by Zhang Guixing, translated by Carlos Rojas, follows Shi Shicai as he travels in the rainforest searching for his uncle, the leader of a communist guerilla group. The novel jumps in time mid-paragraph, blurs humanity and nature, and includes elements of magical realism.…

Mind The Gap: How the Uncle Charles Principle and Its Adaptations Can Close the Gap Between Narrator and Reader in Different Narrative Points of View

As writers, we often desire to close the gap between our characters and readers. We want readers to become so engrossed in the characters’ lives that they forget they are reading. This gap between the reader and the text can widen when the author uses an indirect characterization method.…